Archive for March, 2010

Last Night’s Sunset

March 30, 2010

I call this one "Celestial Impressions." From March 20.

And this one from last night I call "Angel Breath."

And this one I call "A-to-the-k-to-the-47" or "Dear

And last but not least, I call this one, "Oh, Delicate and Gossamer Sky" or "Will my Goddamned Neighbor Across the Street Ever Play Anything Besides Dire Straits When He's Working in His Garage, and What Exactly is He Doing in His Garage All Day and All Night Anyway?"

A special note to my mother: Happy Birthday, or whatever.

A special note to everyone: Click here to read my debut  contribution to bkish.com, a blog for people who think books are worthwhile. I’ll be posting stuff there a few times a month, which at this point is more often than I post on my own blog. Or whatever.

They Write About Shooting Horses, Don’t They?

March 23, 2010

Have you ever sat in your windowless office, suburban tract home or hobo encampment thinking, “Gee, I sure would like to write a fictional account of a horse. But, I wouldn’t even know where to begin.”

Well now you can know where to begin thanks to the people who’ve thought of everything: wikiHow. Just use their easy-to-follow instructions, and you’ll be chomping at the bit just to get started on your very own fictional account of a horse or horses.

Here are highlights from wikiHow’s 11-step guide (thanks to my Facebook friend Diyan for drawing my attention to it in the first place). I’ve put in bold the advice that I will follow or at least keep in mind whenever I get around to writing my own fictional account of a horse:

  • Learn about horses…If you can, spend some time observing real horses and interacting with them. If you can’t get to a place with live horses, watch videos with horses to get a sense of how they move and behave
  • (A horse’s name) can say something about the horse’s character. For example, a horse named “Flame” might be wild and rebellious, maybe a stallion, and likely bay or chestnut colored….Try to have horses in your story with a variety of different personalities. No one wants to read about a bunch of horses who all act the same.
  • While humans are not always essential in a story about horses, they are frequently present. They should be just as fully developed as characters as the horses are….
  • Do some prewriting…List the characters, both horse and human, as well as the setting, and some specific details about them. For example: Hudson (horse): Clydesdale, bay, old, smart
. Danielle (girl): 14 years old, blond hair, owner of HudsonYou may also want to draw pictures to help you visualize the story.
  • …Some possible conflicts include:
 An orphaned foal struggles to survive in the wild; A band of wild horses are brought to live on a farm; A horse is purchased by a cruel owner; An old horse and a young rider must learn to work together; A group of people acquire a wild horse and try to tame it.
  • events should relate to the main conflict in your story. For example, if we have a story about wild horses coming to live on a farm, some events that could happen are:
 A headstrong mare gets loose and runs away. The foals like the humans, but worry about losing the respect of the lead stallion. The humans try to ride one of the horses for the first time. One of the horses is ill and the humans must nurse him back to health.
  • Write a rough draft…this is not the final copy. Don’t worry about spelling and punctuation yet.
  • Edit the rough draft with a pen or pencil
  • Complete the final copy. You may wish to type it, or you can simply write the story on paper.

An Actual Visit to Martha’s Backyard

March 19, 2010

A few weeks ago, Jacquie and I were swilling buckets full of the local vintage with our friend Rob, an American who moved to New Zealand when he was a teenager, and never looked back. Or if he did ever look back, it was only to make sure nobody was following him.

Anywho, Rob had just returned from a visit to the States where, as he told it, he ate a lot of the sort of food you just can’t find anywhere else on Earth. Or in New Zealand, for that matter. Rob said the only vegetables he ingested during his trip were onion rings.

Inevitably, the conversation got around to the subject of pickles.

“The only place to get a decent pickle in Auckland is from Martha’s Backyard,” Rob said.

“What a coincidence,” I said. “I wrote an authoritative piece about Martha’s Backyard for my insanely popular and internationally acclaimed blog.”

“Oh, so you’ve been to Martha’s Backyard?” Rob said.

“Never,” I said.

“So you espoused a strong opinion based on hearsay and not on the weight of empirical evidence?”

“Well, I’m mostly writing for an American audience.”

Rob convinced me that it was time to go on a fact-finding mission. I needed to see Martha’s Backyard for myself so I could figure out what I’d been talking about.

Martha's Backyard. Technically, there is no backyard. Unless you count Stonefields, a defunct quarry at the foot of Mt. Wellington, which is slowly being turned into a gruesome-looking subdivision.

Martha’s Backyard wasn’t like what I’d expected it to be. It was the only shop in a dusty strip mall beside a gigantic housing development that had been under construction for almost four years but seemed to have run out of credit before a tenth of it was built. Naturally, I was overcome with homesickness. Then, when Rob and I went inside the shop, I was overcome with regular sickness. For stretched before me, as far as the eye could see––about 60 feet to the back wall––was a row-and-a-half of good old American-made (mostly*) junk food.

Ameri-cornucopia.

Say "cheese product."

And all along I thought you couldn't get a decent pizza in New Zealand.

We looked around but to our disappointment we couldn’t find any pickles. Then we brought our stuff up to the cashier.

“Hello,” Rob said. He pointed to me. “This is an American.”

“Oh, sorry,” the cashier said. “No refunds.”

I paid for the things that I’d grabbed off the shelf at random, to tell the truth. I bought an eight-pack of Reese’s Peanut Butter Cups*, a “family sized” bottle of French’s yellow mustard and some bunting to spruce up the apartment, all for about $17 (U.S.)

Then Rob and I drove up to the top of Mt. Wellington where we got a decent view of the $2 billion, 270-acre (less than half the size of Prospect Park in Brooklyn) housing development which some day 6,500 people may call home if the developers ever get around to finishing it.

Stonefields Urban Village. Never will you find a more wretched hive of scum and villainy.

Then I went home and inspected my booty.

And seeing that my booty was good, I then looked at the stuff that I bought at Martha’s Backyard.

These colors don't run. Most likely because they're filled with emulsifiers. Most of the 1.3 kilograms of Americany Goodness you see here was actually made in America*.

Then I ate the peanut butter cups*, the Fritos and the Bugles.

Then I washed them down with some mustard.

Then I ate fried chicken made with the Progresso bread crumbs.

Then I…oh, whatever. You get the picture.

All in all I was glad Rob took me to that shop, but I probably won’t go back. Not unless they get a shipment of decent pickles.

Otherwise, I think I’ve about had it with American-y Goodness

*Reese’s Peanut Butter Cups: Hecho en Mexico.

A Post on Sloth I Never Bothered to Write

March 8, 2010

This morning I’d planned to write about how it was laundry day for the first quarter of the current fiscal year. I’d wanted to go into how I found an old cocktail napkin in my pocket, on which there was outlined a script for an episode of the television show Lost. It was going to be great. To think I almost blew my nose in that cocktail napkin.

This was the picture I was supposed to snap of the Waitakere Ranges where much of my Lost episode takes place.

But because I never actually got around to writing that blog post, there was no cocktail napkin to begin with, which I quickly regretted, as I ended up having to blow my nose into my sleeve.

But it is true that my script was going to be cool. In it, I play a character named Marty “Huckleberry” Heidegger and Jacquie plays my wife, Susie “Siouxsie” Sontag, the sole survivors of an ill-fated flight from Los Angeles to someplace else. We were on the run from johnny law because we once called a U.S. Marshal by her first name, just like dangerous renegades do.

Here’s one of the scenes I ended up not writing:

Scene 4 — Waitakere Ranges. Exterior. Dusk.

Huckleberry: Where are we?

Siouxsie: New Zealand.

Huckleberry: How did we get here?

Siouxsie: By accident, like everybody else.

Huckleberry: And why do our names refer to famous philosophers, scientists and fictional characters?

Siouxsie: Total coincidence. The writer sure paid attention in his Western Civ class in college, though, didn’t he?

Huckleberry: I’ll say. He’s real smart. I feel like I’m actually learning something. Like what detergent and breakfast cereal to buy at the supermarket tomorrow.

Chester as Schrodinger's Cat

On second thought, I’m once again happy with my original decision not to write this blog entry because as you can tell from the above scene, my script stinks. It’s got so many holes in it, and it goes on for many seasons, when it could actually be told completely within about three hours. Which just goes to show I just don’t understand television.

Still, it would have been nice to see Chester, our house pet, strain his thespian sinews in the role of Schrodinger’s Cat, which I wrote just for him. In my script, Huckleberry Heidegger and Siouxsie Sontag rescue Shrodinger’s Cat from something called the Lackhov Initiative Cyclotron. But, you know. I couldn’t be bothered.

Our flat would have made a cozy "hatch."

Now, in the following scene that doesn’t exist, Siouxsie and Huckleberry run back to their “hatch” from the Waitakere Ranges with Schrodinger’s Cat in tow.

Scene 15–Hatch. Interior. Tea time.

Schrodinger’s Cat: Yeah, like thanks for rescuing me and all that. You got anything to eat?

Siouxsie: Just what was it that those people were doing to you back there?

Schrodinger’s Cat:  It was like an experiment and shit. They were trying to create this Black Hole by, like, sending a proton at the speed of light down my alimentary canal. But as it turned out, they only had enough energy to create a Tabby Hole.

Huckleberry: That’s the dumbest thing I ever heard.

Schrodinger’s Cat: Oh, terrible, I know. And a disgusting paradox too. It was out of the very same Tabby hole they created that I both pooped and was pooped. Which is what happened just before you guys scooped me up.

Siouxsie: It’s mind-boggling how stupid this is.

Huckleberry: Oh, no. We have to go back to the bush.

Siouxsie: Why?

Huckleberry: Because that, um, special plant that I got off that, uh, “smoke” monster is missing. I have a feeling that my inability to hold on to my, uh, shit might have something to do with Lackov Initiative. So we have to go back.

Siouxsie: I’m going with you.

Huckleberry: No, you’re not.

Siouxsie: Yes I am––

Schrodinger’s Cat: Uh, like, I hate to spoil this beautiful scene of domestic harmony but could you tell me where your bathroom sink is? I have to take a huge dump.

Siouxsie (Jacquie Matthews) grows visibly contemptuous of the outdoors, as she contemplates how long she is supposed to stand there. The sign refused to provide any further instructions, a typical Westie trick.

The way I’d have written it, had I bothered to go to the trouble, the bush of the Waitakere Ranges would be home to a “smoke monster” whose beeper number no longer works and a dangerous group of “others.”

Scene 27–Waitakere Ranges. Exterior. Happy Hour

Siouxsie: So who are these “others” that run the Lackov Initiative?

Schrodinger’s Cat: They call themselves…the Westies.

Siouxsie:  What’s a Westie?

Schrodinger’s Cat: They are stereotyped as an unrefined folk with no taste and who wear Uggboots and leopard-print fabric.

Siouxsie: Wow, just like people from New Jersey.

Schrodinger’s Cat: Hmmm. Not as bad as that.

Huckleberry: Long Island?

Schrodinger’s Cat: Same thing.

Siouxsie: Staten Island?

Schrodinger’s Cat: Again.

Huckleberry: Oh, I got it. They’re just like people from Boston who say “wicked” a lot?

Schrodinger’s Cat: OK, why don’t we just pretend I didn’t say anything. Just make sure you wear your reflective vests otherwise they will continually run you over with their muscle cars.

Westies often pimp their rides.

The point of all this is to say that sloth is a very important quality to develop. After all, if not for sloth, I would have irritated my readers, alienated my Westie friends and criticized a popular television show with poorly crafted satire. Thank God I never got around to writing my blog.

Dateline: Tsunami

March 1, 2010

Thanks to everyone who asked if I was drowned yesterday in a tsunami generated by the earthquake in Chile . The happy news is we’re all still here and  the tsunami was a complete wash.


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